Oh what a tangled web we weave...

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When will we let go of our pasts, and embrace the future, and what if that future is less textured but more calm, less fraught but more self affirming, less lived, but longer?

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Counting down to dusk...

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The attached picture is one of Mumbai's many famous landmarks. A neo-gothic wonder that rivalled anything the empire had back home- the Rajabai Clock Tower on the Bombay University campus. Rumour has it that they closed it off a few decades ago when it turned into a suicide magnet for students who did not fare that well in their exams. The maidan (field) in the foreground, now cricket central, was once the vast open areas the Brits cultivated around their forts to have clear firing range on any attackers. Ironically the university was built on the footprint of the fort's walls, and the expanse of open space, once Bombay's lungs and emerald jewels, has been whittled into irrelevance by generations of land grabs, corruption and negligence. Behind where I stand and take this picture stood a row of fine Art Deco apartments, now renovated into nouveau riche hell. I decided to let my legs take me around the City today and walked and walked for a few hours along familiar ...
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Is It Just Me?

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you, my dear untended blog, need some lovin' and caressin' tonight... candles, soft music, and cuddling on my couch... I saw a mushy movie at the Inside Out Film Fest earlier tonight. It wan't great by any measure- amateur actors, clichéd lines, even happy endings- but it opened up a wellspring of emotions that I thought I had packaged away nicely in the basement of my imagination. I thought I had mastered the art of denial when it came to those feelings. Is It Just Me? captures, albeit badly, the angst I feel. I'm sure I'm not alone in this- someone did write the script, so there are at least two of us out there that have a soft spot for mush. The story was crappy- but the sub theme was all about romance, and I'm a strong advocate of more of that good stuff in a relationship. The cowboy gets the geek because they truly connect at a personal level. That people look beyond the surface when it comes to love. That broken hearts have more room to love, and tha...
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Dots and dashes: How artist Madhvi Parekh developed her own language to tell stories of her youth

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Dots and dashes: How artist Madhvi Parekh developed her own language to tell stories of her youth Entirely self-taught, the artist depicts fantastical creatures, fables and divine beings in a style often compared to the Spanish painter Joan Miro.  Share  Tweet  Email  Reddit  Print From a distance, Madhvi Parekh’s early paintings look like Kantha embroidery. Dots and lines add up on the canvas to form whirlpools, waves, a stretch of road. These guide the eye to focus on the fantastical animals, mythological figures, trees, and people that populate her work. A new retrospective of Parekh’s works,  The Curious Seeker , at the DAG Modern art gallery in Delhi has 70 works made over five decades, and at least as many examples of how the dots and dashes foreground certain elements and give cues on how to read the work. In  King of The Water , a work from 1980 made on paper with pen, ink and glitter pen, for example, the dashes and dots are...
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